It's been a while since posting here, and for that I apologize. So let's get this puppy back on track with something that will hopefully make it all well worth the wait.
It continues to strike me as a little odd that the Netherlands should command so much attention of the authors and composers behind the early high school musical — and yet it does. Right now, I have about a half dozen works that all take place in that region of Europe, some pretty awful, others — like TULIP TIME (1927) — actually not so bad.
But then again, it comes from the team of Morgan and Johnson (with arrangements by the inevitable Don Wilson and cover art by Donn Crane), whose work never seems to fail in terms of its sheer entertainment value. While the plots are never much more than facile, Morgan and Johnson both deliver nicely in not only appeasing their audiences as well as their amateur performers.
So... we're in the little Dutch village of Osendorf, and it seems everyone is somehow connected with the flower trade, either as a grower or as a seller. Despite the angry denials of the town's Burgomaster, Hendrick Van Ooster, everyone's enjoying a holiday... for no real reason than they just want to. And in the midst of this spontaneous frivolity arrives a party of American tourists, most notably Professor McSpindle, an expert in botany, and two of his students, Ned and Dick, whose scientific attentions to flowers are utterly and completely lost when they see Christina and Katinka.
But Christina in particular has no time for a summer romance, even with a cute American. Her mother is ill, and they're poor as the proverbial churchmice. The burgomaster has offered to buy what he says are worthless stocks and bonds Christina's father sent from America before he died, but Christina promised she'd keep them, worthless or not, for ten years, as her father requested. Still, she could really use the cash now, so the burgomaster's offer is severely tempting.
But Ned, who's seriously infatuated, questions the burgomaster's intentions: if these things are as worthless as Van Ooster claims, why would he buy them? Ned offers to take a look at them, because he suspects they're worth far more than the hundred guilder currently on the table.
Problem is, he cant find any quality time with Christina because the well-leaning professor has declared this to be a "flirting-free" trip. But opportunity comes knocking when news hits of an international tulip bulb thief at large, complete with a detailed description of the robber's clothing. Ned and Dick hit on the scheme to have the professor dress up like the thief and have him arrested, which would free them up for a little time with their girls.
So the professor unwittingly gets himself landed in jail, Ned finds out that the stocks are worth close to a million dollars (in 1927 money!), the boys get their girls, the professor is released and finds his own cutie, the burgomaster is thwarted, and we all sing the praises of tulips as the curtain falls.
Now, taken for what it's worth, TULIP TIME is actually a charming little show, one of the better I've seen thus far from Morgan and Johnson. It's not quite as rollicking as CROCODILE ISLAND, but no matter. While the affected Dutch accents are pretty severe, the play doesnt seem as rife with stereotypes as you might expect: the Hollanders are all well-drawn characters, even the not-quite-so-evil Burgomaster, who's not so much a villian as an opportunist. The professor is slightly more than a two-dimensional part, with opportunity — especially in the second act — for some great comedic moments when he appears dressed exactly like the international bulb thief. While everything about the show is, of course, eminently predictable, it still travels along some agreeable roadways, like the little song for the Burgomaster and his young apprentice Hans:
BUR. I hold a lot of other jobs
I am der health inspector
As county clerk I sometimes work
Or safety-first director
HANS. Sometimes he acts as traffic cop
Ven he says 'Go', ve never stop
Keeps everybody on the hop
All hail the burgomaster!
There's also a delightful little number in which Hans conducts the girls' chorus in a dancing lesson. Bearing in mind that everyone would be wearing wooden shoes, you cant help but laugh at the possible choreographic moments attendant to:
First mit der left foot and den mit der right
Stamping der feet down mit all of your might
Ach, such gracefulness makes a delight
But arguably the best number in the show is a duet for the burgomaster and Anna, a woman of "a certain age" who's Christina's guardian during her mother's illness.
ANNA. Dont you think that they would like a word from you?
BUR. Maybe und maybe not.
ANNA. Dont you think to make a speech is just the thing to do?
BUR. Maybe und maybe not.
ANNA. Dont you think when strangers from aboard come into town
They should have a welcome from a man of your renown
You should be a cordial host and do the thing up brown
BUR. Maybe... und maybe not.
There are two sides to every question
ANNA. And you have to watch your step when you reply
BUR. Ven I hear interrogations
I bust out in perspirations
ANNA. For it means you have to frame an alibi
BUR. Politicians must be magicians
ANNA. Or they'll find the water getting mighty hot
BUR. So to questions such as Vont you/Vill you/Are you/Aint you?
Maybe... und maybe not
Like so many others from this team, TULIP TIME could endure a little brushing off and some minor musical rewrites and then stand quite nicely on its own once more. In addition to its charm and humour, TULIP TIME is one of those works that speaks volumes about its creators, a words-and-music team that never gave less than its best effort. I wish we knew more about these men... as well as the many others who devoted their lives in service to this artform. I have a suspicion that there are some equally great stories lurking in the shadows of these little musicales.